SeniKidZ Online: Learn The Art of Wayang in 8 Weeks!

RM30 for this 8-weeks wayang program!

By booking this session, it means you've agreed to enroll your child in the 8-weeks program starting 5th August 2021 where they will receive a weekly syllabus and activities, as well as participating in the Final Showcase at the end of the program.

(Week 1) 5th August: Introduction

• Meet Your Teacher & Kakiseni facilitators (10min)
• Program brief for Parents & Children (15min)
• Icebreaker (15min)
• Origin of Wayang Kulit (20min)

Every successful registration will receive FREE SeniKidZ Toolbox containing SeniKidZ merchandise & class materials!

Class tools:

• Gmail
• Google Classroom
• Google Meet
• Google Slides
• WhatsApp (for parents only)

Please contact 014-9350755 for inquiries & clarification about this program.

View previous SeniKidZ Final Showcase here: https://fb.watch/6bWfE_jUwa/

About the Instructor, Fairuz Sulaiman

Fairuz’s interdisciplinary practice covers digital and analogue visual formats that have been used as music videos, animation for short films, moving visuals for stage and immersive visual installations. His methods include puppetry, 2D/3D animation and live video mixing.

In 2017, his site specific mobile projection project Warung Wayang, was selected to be part of the inaugural Kuala Lumpur Art Biennale. This project which was first premiered for the Digital Art & Culture (DA+C) Festival in Penang, involved an ambitious collaboration between artists from Malaysia, Philippines, Japan and Indonesia.

Fairuz presented Laksamana Doremix (National Visual Arts Gallery, Malaysia, 2013), a hybrid puppetry and multimedia performance which was a continuation of his earlier performance at the Yamaguchi Center for Arts and Media (YCAM), Japan in 2012. His visual work for various notable theatre directors include Zahim Albakri Tarap Man (2007), and Loh Kok Man Arus Gangsa (2014) and Kwang Tung Dance Company Bisikan Monsoon (2018) that won best multimedia design at the 16th BOH Cameronian Arts Awards.

He was also the recipient of The Japan Foundation Asia Center Fellowship Program 2015-16, where he completed a research project on the usage of media in the performing arts in Japan, shadowing practitioners like Hiroshi Koike, Yoko Ando and YCAM Interlab.